How do I even begin to write this blog post? Most of you reading this will be into Kniteforce Records anyway, and I flatter myself that if you are, you will also be aware of me, and maybe even the artists that influence me or that I respect.
I have a wide taste in music, but very few hero’s or people I genuinely admire, and most of those hero’s are outside of the area in which I work. You will never see a Leonard Cohen remix on Kniteforce Records, is what I am saying. I mean, apart from the fact he died, you couldn’t find a less suitable artist to have a Luna-C Remix lol. No, when it comes to artists I admire and that also fall within the genres I make, the list is very slim. Aphex Twin. Messiah. The Prodigy. NRG. Sublove. Acen. Austin Reynolds.
And, of course, Hyper On Experience.
If I had to choose who I would personally want to remix one of my tunes out of that list, it would be Hyper On Experience. I say this knowing that Aphex Twin or The Prodigy would obviously sell many more records. But thats not what it is about for me, and it never has been. And this is why I am sort of lost for words. Having a Hyper On Experience remix on my label is a dream come true for a man who doesn’t dream very much or very often.
If you are fairly new to the scene, or not fluent in old skool (be it hardcore or d’n’b) you might only know Hyper On Experience from their more massive tracks, the remix of Lord Of The Null Lines probably being the most famous. But I first heard them in a small shop outside of London rather than one of my regular haunts. The EP being played was called “Keep It In The Family”, and when I bought it, it was just one of many records I bought that day. I did not know I had just purchased the work of an artist that would have such a profound effect on my music from there on out.
The EP itself is not Hyper On Experience’s best, although thats a little like saying, “this caviar is slightly worse than the other caviar”, in a restaurant where most people are served hot dogs. And I found the EP fascinating. All four tracks were unusual in format, and they moved and developed as they went along, where most music at that time repeated. They used the “wrong” parts, the “wrong” arrangement, and did not sound like anyone else out there. So when “The Family We Never Had” EP came out, I bought that instantly. And so on and so forth, every new H.O.E release was snapped up by me as soon as I saw it. I never knew when one would arrive, with no internet etc, so the thrill of going into a record store and seeing a new one was immense.
I could bang on and on about each release. I can sing along to the sound effects in all of the tunes lol. And back in those days, I was really puzzled as to why I never heard anyone play these tracks out at parties. They were amazing! They still are amazing actually – very few of the releases back in those days have stood the test of time with their production – The Prodigy, Acen, anything produced by Austin Reynolds – but Hyper On remain in that select group of clarity and skill where so many other old skool tunes just sound…well….old. That doesn’t make them bad, but its still a thing.
When Kniteforce was rolling along, I got to know Moving Shadow’s head honcho Rob Playford a tiny bit. I think the first thing I ever asked him was “when is the next Hyper On Experience record out?” lol. He looked surprised – I guess most people wanted to know about 2 Bad Mice or Blame. Those are great artists, no doubt. But it was Hyper On Experience that always excited me the most on Moving Shadow, and in general. Rob told me that they were not as popular as some of the other acts on his label, but the music was so good and that he was always looking forward to putting their music out. And I could see he was as puzzled as I was about them not being way more famous than they were. It was like we both thought “why does no one else get this?” lol. Personally, I think its because some artists are just too far ahead of the game. The Panacea is another one like that. A dear friend of mine, he always seems to be about 3 years ahead of what everyone else is doing. And when artists are like that, they rarely hang around to get the credit they deserve. The scene they are in becomes what they left behind.
So yeah. It was only really with the Lord Of the Null Lines remix that Hyper On Experience were thrust into the forefront of music. I remember everyone suddenly being all about Hyper On, and I was like “Really? Its about time!” lol. And I remember that remix destroying dance floors for years, and it is a stunning remix, there is no question. But the original version of that track? Oh man. The remix is nothing in comparison, in my humble opinion. For me, Lord Of The Null Lines and Monarch of The Glenn are works of art that I refer to again and again, and have for decades. Listen, when you can use a duck quack as a beat edit and it doesn’t sound daft, thats a whole new level lol. And the intro to Monarch Of the Glenn? Go home everyone else, you’re done lol:
I was and remain inspired and impressed every time I listen. Much of the technicality of Luna-C work owes direct inspiration to Hyper On Experience. It is only with the passing of the years that we now, as an older, wiser scene, can look back and can appreciate and recognise Hyper On Experience as one of the finest hardcore acts ever. And if you disagree with that, you are wrong lol. Sorry, but you are. Still, thats the music industry for you. The things that blow up are usually simpler, easier to digest and can feed everyone. Hot dogs, in other words. Not caviar.
And now I have a Hyper On Experience remix on my label.
Which makes me happy.
As you can probably gather from what you have just read, this is what is known as British understatement. You could say that, having got a Hyper On Experience remix on Kniteforce that I would no longer have any other ambition and should just call it a day. Nope. Just as I am trying to get a full Justin Time EP on the label, I’m going to try and get a full Hyper On Experience release as well. And then I am going to try and persuade Acen, Messiah, Austin Reynolds, Sublove, Aphex Twin and The Prodigy. Ha ha, okay, probably no chance, but you know what? If you had asked me even a few years ago about getting a Hyper On Experience remix on Kniteforce, I would have also thought “no chance”. So fuck it. Lets try eh?
Oh, I haven’t talked about the actual remix. Is it any good?
Yes. It is quite good.
British understatement again. Its actually very very very good. Its very Hyper On Experiencey. It starts off good, and then it changes into some really good bits, and then it changes again to some amazing stuff, and then it ends on a good note. You basically have to listen to the whole thing from start to finish. Which is exactly how it should be.
Now, it seems unfair to go on and on about just one of the remixes on the E.P. And I apologise to the others on the EP for the inevitable short thrift, but I think just this one time, I am allowed to be a fan boy and fill my entire blog post talking about my favourite artist 🙂 Having said that, I have to hand it to the other two remixers on this release because neither knew who they would be appearing next to, and yet both hold their own spectacularly.
You already know Alex Jungle. His stunning debut EP has just started being sent out and he is already one of my favourite producers. Well, he has remixed “Snow In Summer”, a tune that I made, and that was big in Europe, and that I have always sort of hated. And Alex Jungle has made me love it. Thats how good his remix is. It is, simply put, a stunning remix. The Panacea remix of this track for the 20 Year box set was brilliant of course, but mainly because he dumped all the vocals, ha ha! This remix is good because, impossibly, he has made the vocals sound cool. And added Bruce Lee samples. I don’t know, its all the wrong stuff and he has made it work so amazingly well. You just have to hear it. Its brilliant.
And of course, Shadowplay won the recent “Remixes” competition, and has been signed to Kniteforce, and has already got two tracks ready for a forthcoming EP. His remix of Richie Whizz “Song Of Angels” beat out all the other competition entries, and is the perfect compliment to the others on the EP.
What more can I say, except, if you want to hear some of these remixes, including the Hyper On Experience one, tune in to Glowkids radio show tomorrow, February 28th. I have made him a nice 45 minute set of all new and recent KF material, and have a little interview on there as well!
Here are the details:
GL0WKiD Generation X [RadioShow] pres. “THE 25th ANNIVERSARY OF KNITEFORCE RECORDS” Feat. LUNA-C Exclusive Interview & Guest Mix
@ Planet Rave Radio (www.planet-rave.com)
Tuesday 28th February 2017
17:30-19:00 [UK TIME]
App player for mobile: http://bit.ly/1RI4lza
And thats all for now….Too much really. Im gonna have to have a little sit down lol.